Hal Hartley
- Surviving Desire
1992
Hal Hartley
- Surviving Desire
1992
got an email from a local aquatics store with a coupon for one free worm
this is the coupon btw
Dear God I hope you walked in and presented this coupon as straight faced as humanly possible
*bursts into store* I HAVE COME FOR MY WORM
Michael Shannon, photographed by Robbie Fimmano for Matches Fashion Man, S/S 2014.
”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
BTS of Spiderman: no way home
Jean-Michel Folon: The Return of the Two Snails [1979]
I know I’ve talked about it before but it never ceases to amaze me that the city of Toronto created this labyrinthine series of underground walkways that stretch for kilometres under the heart of downtown and they called it the fucking PATH. like how much more ominous could that even be. It doesn’t even stand for anything it’s just the PATH, all caps. What fucking fae named this artisanal bakery maze.
@asimovsideburns #it doesn’t even stand for anything?????
It doesn’t!!! even stand!! for anything!!!
“PATH is downtown Toronto’s enclosed pedestrian walkway linking 29 kilometres of shopping, services and entertainment connecting Toronto Coach Terminal to Maple Leaf Square/Air Canada Centre. The Acronym (PATH) does not stand for anything - just signals that there is a pathway.”
Like I always lose my mind at this. If it doesn’t stand for anything it’s not an acronym Toronto!! Toronto!!!!!!!!!
Copying my tags:
I’m not exaggerating about the part without a ceiling:
This is, by the way, right under Bay & Bloor, dead centre of the city and some of the most expensive real estate in Canada. It radiates an incredible aura of menace.
Okay far more poeple have reblogged this than I thought and I just wanted to clarify- the horror of the PATH is not that it all looks like a spooky basement where you’re about to get murdered. There ARE spots like that, but to understand the ~vibe~ of the PATH, you have to understand that it is essentially one very large mall co-designed by like, 70+ different corperations who all have different aesthetics. SO, the PATH looks like that, but it also looks like this
and like this
and like this
and like this
Here’s an entrance to the PATH at Union
And here’s another- also at Union
And here’s another a few blocks away, though tbh I have never been able to enter here because it always seems to be locked, no matter how much I want Wendy’s that day.
And you’d think these mixed aesthetics would make it easier to navigate, or at least figure out where you are, but again, there are over 70 different entities designing this shit and not one original thought between them. So while you may well know when you step from one property to the next, whatever the look of your current section it’s more than likely they’re a nigh identical section somewhere further just to confound your mortal sense.
Basically, everyone tagging this with the Magnus Archives is very correct- If any place on earth could be the true domain of the Spiral it’s the PATH, and it’s just a shame Jonny didn’t know about it before the show wrapped up.
Barbra Streisand and Elliott Gould during their honeymoon at the Beverly Hills Hotel, September 1963.
Photos by Bob Willoughby
Undine (2020)
directed by Christian Petzold
In Bloom Gown // FireflyPath
medium cool (dir. haskell wexler, 1969)
Erika Casupanan, lamb to lion 🐑🦁 — Winner of Survivor 41 💙
”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
#me @ quentin tarantino fans
Mad Max: Fury Road and practically every film JJ Abrams has ever made including The Force Awakens.
Mad Max: Fury Road was edited by Margaret Sixel, who is married to George Miller and who he begged to edit the film because he said that if a man edited it, would be a totally different movie and not one he wanted to make.
Maryann Brandon and Mary Jo Markey edited The Force Awakens. Maryann Brandon has worked on almost all of the shows and films Abrams has worked on and Mary Jo Markey is also a frequent collaborator.
Thelma Colbert Schoonmaker has edited all of Martin Scorcese’s films since Raging Bull and worked with him for around 40 years.
Sally Menke edited all of Quentin Tarantino’s films until her tragic death in 2010.
Julia Bloch is an editor gaining attention for her work on Blue Ruin and Green Room.
about 40% of Hollywood editors are women. when discussing how these women are underrepresented, you need to give their names.
Marcia Lucas (George Lucas’ now ex-wife) was one of the co-editors of A New Hope (and the rest of the trilogy) and is a huge part of the reason Star Wars actually worked in the first place. George’s original cut of the first film was a mess and she edited the shit out it to fix all the pacing and narrative issues, which earned her an Oscar, something George Lucas has never received.
My hero Anne Voase Coates 1925 – 2018 Order of the British Empire was a film editor with a more than 60-year-long career. She was perhaps best known as the editor of Lawrence of Arabia in 1962, for which she won an Oscar. nominated five times for the Academy Award for Best Film Editing for the films Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998).
In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA’s highest honour, a BAFTA Fellowship, an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar
Hi, I’m Roswell, and I’m horny for Rick Moranis.
Recently, my friend Pat sent me a fuckload of Little Shop of Horrors stickers from 1986.
Each pack contains a piece of thirty year old bubble gum.
It tastes really bad.
But we’re not here to talk about my mistakes; we’re here to talk about God’s mistake–the mistake of making me so incredibly attracted to Rick Moranis.
Let’s begin.
This Rick Moranis is not very sexy at all. He clearly doesn’t want that thing in his mouth. The lack of consent immediately turns me off, but I will give him one point for kissable lips. 1/10.
A reasonably fuckable Moranis. He’s doing that Vaudeville rubberface thing that I’m big into, but this outfit could’ve used some shoulder pads and his hair looks kinda greasy. 3/10.
The doe eyes. The pouty lips. The loose curls stuck to his forehead with nervous sweat. Truly this would be a tremendously boneable Ricky M. were it not for the fact that I am very anti-gun. 4/10.
His nonthreatening posture and gentle smooch make me feel like he would tenderly nurture our many children. Thinking about having kids kills my boner. 5/10.
A classic Rick! This kind of goofball acting is what makes him so loveable. He looks like a math teacher who just realized he forgot Pi Day and that’s what does it for me, I guess. 7/10.
The rumpled collar and patented Moranis Confused Face really get me going, but the caption makes me think of someone with a Brooklyn accent screaming, “The X-Files!” while falling down a well. 8/10.
Oh, what I wouldn’t give to push Rick Moranis into a dentist’s chair and fill his cavities. I think this scene made me gay. 10/10.
I have experienced an erection lasting longer than four hours and need to seek immediate medical attention. 11/10.
Can we go back to when horror movies were called "satellite of blood" or "theatre of blood" or "palace of the damned" and "the screaming never ends" cause like now we keep getting these one word title horror movies like Hereditary and Relic and Censor and it's like this doesn't tell me anything about the level of blood, screaming, or whether everyone in it is damned
i found my new favorite painting in my modern art history lecture today
dynamism of a dog on a leash, giacomo galla, 1912