Home of the all-around movie/book/TV/music geek girl. 21 years old; college student majoring in Film with a minor in Art History. Born and raised in Brooklyn, New York. Fan of (in alphabetical order): Woody Allen, Wes Anderson, Blackadder, The Blacklist, Doctor Who (and - to a lesser extent - Torchwood), Elementary, Freaks and Geeks, Grimm, Harry Potter, House, Indiana Jones, It's Always Sunny in Philadelphia, Inspector Lewis, James Bond, Jane Eyre, The Late Late Show with Craig Ferguson, Late Night with Jimmy Fallon, Law & Order (all kinds), Lost, LOTR, the Millennium trilogy (Stieg Larsson); Murder, She Wrote; The Nanny, Paul Newman, The Office, Once Upon a Time, Parks and Recreation, Project Runway, Pushing Daisies, Saturday Night Live, Sherlock, Three's Company (though I am usually laughed at for that), The Twilight Zone, Undeclared, Tom Waits, The Who, movies in general (especially older movies but not exclusively), analyzing movies via a blog (http://theironcupcake.wordpress.com) and many other awesome things. I think I'm an INTJ, if you know about MBTI.
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365 Day Movie Challenge - #198: Dark Victory (1939) - dir. Edmund Goulding
This tearjerker stars the incomparable Bette Davis as a terminally ill woman who falls in love with her brain surgeon, George Brent (Davis’s favorite leading man). This drama also stars the wonderful Geraldine Fitzgerald, Humphrey Bogart, Virginia Brissac, Henry Travers and a young Ronald Reagan. The film was justifiably nominated for three Oscars: Best Picture, Best Actress and Best Score (Max Steiner), though it should have gotten a fourth nomination for its cinematography by Ernest Haller.

365 Day Movie Challenge - #198: Dark Victory (1939) - dir. Edmund Goulding

This tearjerker stars the incomparable Bette Davis as a terminally ill woman who falls in love with her brain surgeon, George Brent (Davis’s favorite leading man). This drama also stars the wonderful Geraldine Fitzgerald, Humphrey Bogart, Virginia Brissac, Henry Travers and a young Ronald Reagan. The film was justifiably nominated for three Oscars: Best Picture, Best Actress and Best Score (Max Steiner), though it should have gotten a fourth nomination for its cinematography by Ernest Haller.

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